SELECTED PUBLIC COMMISSIONS AND GRANTS

  • Norm Maleng Memorial, King County Courthouse, Seattle, WA. Contact: Tamar Benzikry-Stern (2009 - in process)
  • Bottom of the Sea, terrazzo floor, Core, sculpture (2008 - in process)
  • Port of Portland Headquarters, Portland, OR. Contact: Peggy Kendellen (2008 - in process)
  • Limelight, exterior mural, Shoreline City Hall, Shoreline, WA. Contact: Cath Brunner/4Culture (2008)
  • Everett Plaza, Design team, fountain sculpture, Everett, WA. Contact: Carol Thomas/Everett Public Art Program (2008 - in process)
  • Spinning Our Wheels, Rental Car Facility, Sea Tac Airport (Port of Seattle) Sea Tac, WA. Contact: Colleen McPoland/Port of Seattle (2007 - in process)
  • After Image, Pierce College, Washington State Arts Commission (2006 - 2007)
  • As Above So Below, Sound Transit, Mukilteo Transit Station. Contact: Barbara Luecke/Sound Transit Administrator (2001 - in process)
  • Current, terrazzo concourse, 14,000 sq ft., Bellevue City Hall, Bellevue WA. Contact: Cath Brunner/4Culture (2004 - 2006)
  • Labyrinth, Shadow Boxes, Life Line, Icarus, Seattle Biomedical Research Institute, Seattle, WA. Contact: Ashley Hulsey (2003)
  • Truth Crushed, terrazzo and photo-etched floor, King County Courthouse, Seattle, WA. Contact: Cath Brunner/4Culture (2001 - 2004)
  • Traveling Light, STEP SeaTac Airport Expansion Project, Seattle, WA. Contact: Colleen McPoland (2000 - 2003)
  • Rare Books, Water Tables, Chorus Hall, UW Bothell and Cascadia Campus Library, WA (1999 - 2000)
  • Holy Family School, White Center, part of master plan team with Studio Jaso (2000)
  • Buzzword, Washington State Trade and Convention Center. Exterior Art Amenities including five lantern like 21’ sculptures, door ornament, and sidewalk and floor design. Design Team with Stuart Keeler, Michael Machnic, and Kate Wade (1998 - 2001)
  • The Tempest, Safeco Field Mariner Baseball Stadium, Rotunda Grand Entry installation Includes the Entry Portals – steel gates; Sea Floor – colored concrete; The Tempest - composed of a spiraling sculpture of 1500 glass-like bats and illuminated with an animated computerized lighting system; The Grand Stairway and the Compass Rose – composed of Terrazzo and glass inlay In collaboration with Stuart Keeler and Michael Machnic. Contact: Rick Zieve (1998 - 1999)
  • Time Heals All Wounds, Harbor view Medical Center, Seattle, WA.  A large suspended clock for Reception desk in Main Lobby. (1999)
  • Faith, permanent installation in the Chapel of St. Ignatius, Blessed Sacrament Chapel, Architect Steven Holl, Seattle University, Seattle, WA (1996 - 1997)
  • Dreamboats of Eastlake collaboration with Stable, Seattle Arts Commission, Seattle, WA (1996)
  • Full Circle, permanent installation, Harbor view Medical Center, Lobby Floor, King County Arts Commission, Seattle, WA (1996)
  • FIRE! permanent installation commemorating the Seattle Fire of 1889, collaboration with Stable, Downtown BIA Seattle, WA (1996)
  • Taken Token, collaboration with Carol DePelecyn, Metro Bus Shelter (on site of Cal Anderson House), Seattle, WA (1995)
  • Ginkgo Hall Tree & Birdhouse in a Tornado, donor recognition sculptures, collaboration with Stable, Cal Anderson House, Seattle, WA (1995)
  • Cal Anderson House Artist Design Team, Open Door Ventures, Seattle, WA Home Base, permanent sculpture installation, Adna Middle School, Washington State Arts Commission, Adna, WA (1993)
  • Water for Fires, permanent mosaic installations (entry, archway/vestibule, and lobby donor recognition column), Bailey Boushay AIDS Hospice, Seattle, WA (1990 - 1991)